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By Fumiko Enchi, Roger K. Thomas

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A story of fake Fortunes is a masterful translation of Enchi Fumiko's (1905-1986) smooth vintage, Namamiko monogatari. Written in 1965, this prize-winning paintings of historial fiction offers another account of an imperial love affair narrated within the eleventh-century romance A story of Flowering Fortunes (Eiga monogatari). either tales are set within the Heian courtroom of the emperor Ichijo (980-1011) and inform of the ill-fated love among the emperor and his first consort, Teishi, and of the political rivalries that threaten to divide them. whereas the sooner paintings will be seen mostly as a panegyric to the omnipotent regent Fujiwara no Michinaga, Enchi's account emphasizes Teishi's the Aristocracy and devotion to the emperor and celebrates her "moral victory" over the regent, who conspired to divert the emperor's attentions towards his personal daughter, Shoshi.
Roger Thomas' finished translation makes on hand for the 1st time in English what's thought of the best paintings through one among Japan's smooth masters of prose.

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Example text

The governor praised Yoshinori and, along with the two captive red-haired bandits, presented a report of the valiant deed to the capital. For Yoshinori, the glory was posthumous. Upon hearing the news, Toyome was prostrate with grief. Because of the words of a god who had possessed her body, she had senselessly lost her lover. Even if his welfare had not been at stake, she was struck by the presumptuousness of such an enterprise, whereby people’s fortunes were set on courses for good or evil through the words of her mouth.

Teishi inherited her mother’s cultivation and was gifted with literary ability. Among aristocrats of that period, it was considered shameful for a woman to look a man directly in the face, and women who served at court were therefore thought somewhat immodest. It was truly an exceptional case for Michitaka, legitimate heir of 32 c A Tale of False Fortunes the Fujiwara clan, to take as his first wife the daughter of a provincial official. Did Michitaka simply have an eccentric personality? Or was Kishi an unusually aggressive woman who cleverly led him on?

Teishi inherited her mother’s cultivation and was gifted with literary ability. Among aristocrats of that period, it was considered shameful for a woman to look a man directly in the face, and women who served at court were therefore thought somewhat immodest. It was truly an exceptional case for Michitaka, legitimate heir of 32 c A Tale of False Fortunes the Fujiwara clan, to take as his first wife the daughter of a provincial official. Did Michitaka simply have an eccentric personality? Or was Kishi an unusually aggressive woman who cleverly led him on?

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